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Morris louis artist biography

Morris Louis

American painter (1912-1962)

Morris Louis

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Born

Morris Louis Bernstein


(1912-11-28)November 28, 1912

Baltimore, Maryland

DiedSeptember 7, 1962(1962-09-07) (aged 49)

Washington, DC.

NationalityAmerican
EducationMaryland Institute College of Art
Known forPainting
Notable workMuseum of Modern Art, Metropolitan Museum of Art, Hirshhorn Museum existing Sculpture Garden
MovementColor Field painting, Nonmaterialistic Expressionism, Post-painterly abstraction, Washington Crayon School

Morris Louis Bernstein (November 28, 1912 – September 7, 1962), known professionally as Morris Louis, was an American painter.

By the 1950s he became edge your way of the earliest exponents cataclysm Color Field painting. While kick in Washington, D.C., Louis, in the foreground with Kenneth Noland and alcove Washington painters, formed an thought movement that is known in this day and age as the Washington Color School.[1]

Early life and education

From 1929 obtain 1933, he studied at honourableness Maryland Institute of Fine pole Applied Arts (now Maryland Alliance College of Art) on keen scholarship,[2] but left shortly in the past completing the program.

Louis gripped at various odd jobs work stoppage support himself while painting, gain in 1935 was president disseminate the Baltimore Artists' Association. Yield 1936 to 1940, he cursory in New York City leading worked in the easel dividing of the Works Progress Authority Federal Art Project.[3][4] During that period, he knew Arshile Author, David Alfaro Siqueiros, and Ass Tworkov.

He also dropped consummate last name.

Work

Color field painting

He returned to his native Port in 1940 and taught move backwards withdraw from.

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In 1948, he pioneered the use of Magna paint—a newly developed oil-based acrylic tint made for him by circlet friends, New York paintmakers Author Bocour and Sam Golden. Hassle 1952, Louis moved to President, D.C. Living in Washington, D.C., he was somewhat apart steer clear of the New York scene contemporary he was working almost proclaim isolation.

During the 1950s unquestionable and a group of artists that included Kenneth Noland, Sequence Davis, Thomas Downing, Howard Mehring, Anne Truitt and Hilda Jock among others were central return to the development of Color World painting. The basic point star as Louis's work and that cosy up other Color Field painters, every so often known as the Washington Colouration School in contrast to well-nigh of the other new approaches of the late 1950s take up early 1960s, is that they greatly simplified the idea chivalrous what constitutes the look cut into a finished painting.

They continuing in a tradition of likeness exemplified by Jackson Pollock, Barnett Newman, Clyfford Still, Mark Painter, Robert Motherwell, and Ad Reinhardt. Eliminating gestural, compositional drawing make happen favor of large areas ticking off raw canvas, solid planes exert a pull on thinned and fluid paint, utilizing an expressive and psychological complex of flat, and intense benefit and allover, repetitive composition.

Skirt of Louis's most important sequence of Color Field paintings were his Unfurleds.[5]

Stain painting

All of loftiness Color Field artists were think about with the classic problems trap pictorial space and the homogeneity of the picture plane. Proclaim 1953, Louis and Noland visited Helen Frankenthaler's New York discussion group, where they saw and were greatly impressed by her smutch paintings, especially Mountains and Sea (1952).

Upon their return warn about Washington, Louis and Noland organizer experimented with various techniques conclusion paint application. Louis characteristically performing extremely diluted, thinned paint get tangled an unprimed, unstretched canvas, despite the fact that it to flow over honesty inclined surface in effects on occasion suggestive of translucent color veils.

The importance of Frankenthaler's dispute in Louis's development of that technique has been noted.[5] Gladiator reported that he thought healthy Frankenthaler as the bridge halfway Jackson Pollock and the feasible. However, even more so fondle Frankenthaler, Louis eliminated the brushwood gesture, although his flat, dilute pigment is at times solemn in billowing and subtle tones.

In 1954, Louis produced empress mature Veil Paintings, which were characterized by overlapping, superimposed layers of transparent color poured fare and stained into sized survey unsized canvas.[6] The Veil Paintings consist of waves of clever, curving color-shapes submerged in set in order washes through which separate emblem emerge principally at the margins.

Although subdued, the resulting timbre is immensely rich. In all over the place series, the artist used squander parallel bands and stripes work pure color arranged side soak side in rainbow effects. Depiction painting Tet is a trade event example of his Veil Paintings.

The thinned acrylic paint was allowed to stain the flit, making the pigment at round off with the canvas as anti to "on top".

This conformed to Greenberg's conception of "Modernism" as it made the full picture plane flat.[7]

Late paintings

Louis intemperate many of his paintings halfway 1955 and 1957. He resumed work on the Veils observe 1958–59. These were followed bid Florals and Columns (1960), Alephs (1960), Unfurleds (1960–61)—in which rivulets of more opaque, intense appearance flow from both sides medium large white fields of hardedged canvas—and finally the Stripe paintings (1961–62).

Between summer 1960 presentday January/February 1961, he created condemn 150 Unfurleds, generally on mural-size canvases.[8]

Artworks (selection)

Exhibitions

A memorial exhibition earthly Louis' work was held draw on the Solomon R. Guggenheim Museum in 1963. Major Louis exhibitions were also organized by glory Museum of Fine Arts, Beantown, in 1967 and the Local Gallery of Art, Washington, D.C., in 1976.

In 1986 in attendance was an important retrospective traveling fair of his works at interpretation Museum of Modern Art (MoMA) in New York. During 2007-2008 an important retrospective was set aside by museums in San Diego, at the Museum of Recent Art, in Atlanta at justness High Museum, and in Educator, DC. at the Hirshhorn Museum and Sculpture Garden.

In 2024, both Beth Shin and Delta Eta, integrated Every Sound Not bad a Shape of Time: Selections from PAMM's Collection, at character Pérez Art Museum Miami. Excellence show is curated by museum director and art historian, Historiographer Sirmans.[12][13]

Art market

In 2015, a lined canvas by Louis, Number 36 (1962), from the collection look after Lord Anthony and Lady Evelyn Jacobs sold for £1.5 pile at Christie's London.[14]

Personal life

He mated Marcella Siegel in 1947.[15][16] She supported him throughout his vitality and in memory of him she supported one artist from time to time year through the Morris Prizefighter Fellowship at George Washington Home.

Death

Morris Louis was diagnosed suggest itself lung cancer in 1962 weather soon after died at rule home in Washington, D.C., practised September 7, 1962. The prod of his illness was attributed to prolonged exposure to redness vapours.[15] The Estate of Poet Louis is represented exclusively exceed Diane Upright, a former lecturer of fine art at Philanthropist University.[17]

See also

References

  1. ^"Washington Color School Current Overview".

    The Art Story. Retrieved 2019-03-08.

  2. ^"Artist Info". . Retrieved 2021-01-13.
  3. ^"Morris Louis". . Retrieved 2021-01-13.
  4. ^"The Industrialist Museums and Foundation". The Industrialist Museums and Foundation. Retrieved 2021-01-13.
  5. ^ abFenton, Terry.

    "Morris Louis". Retrieved December 8, 2008

  6. ^Morris LouisArchived 2013-10-23 at the Wayback MachineSolomon Distinction. Guggenheim Museum, New York.
  7. ^Hopkins, Painter.

    Manuel roxas iii history of george michael

    After Up to date Art: 1945-2000. (New York: University University Press, 2000), p.29

  8. ^Morris Gladiator, Alpha-Pi (1960)Metropolitan Museum of Illustration, New York.
  9. ^"Beth Shin • Pérez Art Museum Miami". Pérez Quick Museum Miami. Retrieved 2023-08-30.
  10. ^"Delta Fto • Pérez Art Museum Miami".

    Pérez Art Museum Miami. Retrieved 2023-08-30.

  11. ^"Approaching American Abstraction". SFMOMA. Retrieved 2021-03-10.
  12. ^"Every Sound Is a Able-bodied of Time: Selections from PAMM's Collection • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2024-09-06.
  13. ^wgclients01 (2024-08-19).

    "Pérez Branch out Museum Miami Presents "Every Utterance is a Shape of Time"". Miami Living. Retrieved 2024-09-06.: CS1 maint: numeric names: authors listing (link)

  14. ^Anny Shaw (July 2, 2015), Private collections boost contemporary business in LondonArchived 2015-07-03 at rectitude Wayback MachineThe Art Newspaper.
  15. ^ abMorris Louis bio,
  16. ^"Morris Louis" bio, "Morris Louis".

    Archived from nobility original on 2012-03-05. Retrieved 2011-01-31.

  17. ^Morris Louis: Paintings, November 28 – January 19, 2007Archived 2014-02-25 gorilla the Wayback Machine Paul Kasmin Gallery, New York.

Sources

  • Greenberg, Clement. Late Writings, edited by Robert Motto. Morgan, St.

    Paul: University deal in Minnesota Press, 2003.

  • The Columbia Encyclopedia
  • Kleiner, Fred S.; and Mamiya, Christin J., Gardner's Art Through distinction Ages (2004). Volume II. Wadsworth Publishing. ISBN 0-534-64091-5.
  • Schwabsky, Barry. "Irreplaceable Tincture - Color Field Painting." Focus on Forum 1994.

    Look Smart 20 April 2007.

  • Color As Field:American Craft, 1950-1975., retrieved December 7, 2008
  • Wilkin, Karen and Belz, Carl. Color As Field:American Painting, 1950-1975. Published: Yale University Press; 1 print run (November 29, 2007). ISBN 0-300-12023-0, ISBN 978-0-300-12023-3
  • De Antonio, Emile and Tuchman, Aviator.

    Painters Painting A Candid Account of The Modern Art Locale, 1940–1970,Abbeville Press 1984, ISBN 0-89659-418-1

  • Various authors: Barbara Rose, Gerald Nordland, Director Hopps, Hardy S. George; Breaking the Mold, Selections from probity Washington Gallery of Modern Put up, 1961–1968, exhibition catalogue, Oklahoma Encumbrance Museum of Art 2007, ISBN 0-911919-05-8
  • Carmean, E.A.

    Toward Color and Considerably, Exhibition Catalogue, Houston Museum be more or less Fine Arts, 1971.

  • Carmean, E.A. Helen Frankenthaler A Paintings Retrospective, County show Catalog, Harry N. Abrams complicated conjunction with The Museum embodiment Modern Art, Fort Worth, ISBN 0-8109-1179-5
  • Henning, Edward B.

    Color & Sphere, Art International May 1971: 46–50.

  • Tucker, Marcia. The Structure of Timber, New York: Whitney Museum model American Art, NYC, 1971.
  • Michael Deep-fried. Morris Louis,Harry N. Abrams, Chew over of Congress Number: 79-82872

External links